About
the paintings
Cubey’s paintings have always been physical, tangible, very
much manmade objects.
This has been a constant as he has moved from early figuration
through expressive formalism and now hovers in a restless space
between, incorporating elements of his work from the last 20 years,
straddling abstract concerns and narrative impulses.
The vibrant colours and luscious surfaces often give way to darker
hidden menaces beneath and reveal glimpses of stories. The
confusion is embraced and acknowledged, more questions than
answers.
Michael starts early and finishes late. He uses oil paint with a
host of overglazes and varnishs, on a range of supports ranging
from canvas to flattened out tin paint tubes.
It takes a worried man to sing a worried song.
what others say:
Critics
on Cubey
